In
this production directed by Dr. Martin Friedman, there are specific characters
and scenes that definitely earn plaudits. Amiee Collier is a perfect witch,
both before and after her transformation, and does a dandy job with her solo
“Witch’s Lament.” The two princes, played by Eric Fancher and Daniel Simpson,
deliver a solid rendition of “Agony,” although their scenes together aren’t as
playful and sharp-edged as they might be.
Some
of the other actors have their moments, while others lack sufficient stage presence. But the show is negatively affected by
a decidedly slow pace, with dialogue scenes played out with pregnant pauses
between many of the lines. Playing beats is necessary, of course, but there are
enough extended pauses and beats here for four or five plays. This not only
makes the play seem longer and less witty than it is, it’s hard to keep track of the somewhat
complicated story.
The
clever scenic design by Trad A Burns features tall letters that spell out words
and comprise the forest into which all the characters disappear. And thanks to
his lighting design, those towering letters often cast interesting and
sometimes ominous shadows. But the downside is that the visual palette never
changes and, even though the words are moved around frequently, it all
basically looks the same and eventually gets a bit tiresome.
Director
Friedman has mounted this play before at Lakeland, in 2003, but this time it
feels a bit static, and at times almost feels like a concert version of the show. Still, Friedman
is continually staging compelling scripts and evocative musicals with talented
players, and for that we are truly grateful.
Into
The Woods
Through
February 28 at Lakeland Civic Theatre, 440-525-7134, Lakeland Community College
Campus, just south of Rt. 90 and Rt. 306 in Kirtland.
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