The definition of a passion play is a dramatic performance representing the Passion of Jesus Christ, involving his suffering and death. It is a staple of many celebrations of Lent in several Christian denominations.
The thing is, that word “passion” can take you in more than one direction. And in this play by Robert Askins, there is plenty of passion set in a church building, but most of it is of the four-letter-word, violent and sexually-drenched variety.
Taking a cue from the outrageous puppets in Avenue Q, this dark comedy centers on a Sunday school classroom of a church in a small Texas town. This is where recently widowed Margery is trying to teach her charges Jason, Jessica and Timothy about the Lord, using puppets as a vehicle to reach them. Jason is her son, and it turns out she reaches him all too well, since timid Jason has apparently bonded with his puppet Tyrone in a dangerous way.
Indeed, it seems balls-to-the-wall Tyrone has taken over Jason’s fragile personality and is using him to lambaste everyone in sight, including Pastor Greg. As Tyrone says in his opening speech, speaking from a puppet stage in the classroom: “The same motherfucker who invented the group kill and team virtue—that ballsy piece of pig shit—topped all his previous work and invented the devil.”
And Tyrone is here to make sure the devil gets his due. As performed by Luke Wehner, Jason/Tyrone is a fascinating and at times abhorrent creation, giving voice to the unspeakable thoughts Jason has swirling around in his head—as most of us do, of course. Tyrone is all id and, since he's not actually President of the United States, he's hilarious.
Meanwhile, Timothy (Austin Gonser) is a walking adolescent hard-on with maximum sexual potency and very little focus, Jessica (Molly Israel) is trying to deal with Jason’s infatuation and Margery begins to let down her pretense of civility and starts to respond to Timothy’s insistent entreaties. During all this, Pastor Greg (David Burgher) is trying to make time with Margery.
In other words, it’s a pretty conventional church setting with all the hypocrisy, concealed emotions and screwed-up family relationships fully revealed. And that is what Askins is about, as he thrusts Tyrone into this supposedly calm and rational world.
Sure-handed director Matthew Wright keeps the pacing tight, even when the script tends to get bogged down in a bit too much repetition. And the ensemble performances are quite adept. But it is Wehner’s star turn as the man with the devil stuck on the end of his arm that steals the show and is worth the price of admission.
Hand to God
Through May 21 at Dobama Theatre, 2340 Lee Road, Cleveland Heights, 216-932-3396, dobama.org