In
this play, novelist and short story writer Ed Falco tries his hand at a
two-hander that travels some well-worn territory: marital discord, kinky sex,
and drugs to name a few.
And
it’s mostly an amazing, intense experience, thanks to his often deftly written script, two
spectacular performances and the masterful direction of Sean Derry.
Walter
and Jan have been married for 18 years, but it’s a relationship that is fraying
around the edges in the opening moments of this 100-minute, real-time excursion. Walt is a professional writer and adjunct professor, worried about his college students’ lack of respect (echoing his successful book's lack of critical acclaim). He and Jan are also fretting about their twin daughters and their likely sexual activity at the up-coming prom.
Oh,
and speaking of sex, he eventually admits to having an affair with a student in
his class, a 20–year-old male-to-female transsexual and bizarre taxidermist/artist named
Cassie. Turned on by those encounters, he introduces Jan to a whole new sex
toy. This throws Jan into some serious soul searching accompanied by copious
amounts of martinis and pot, and things get uglier from there (as in, road kill nailed to a wall).
Falco’s
dialogue rings true, especially in the hands of Andrew Narten and Leighann
Niles DeLorenzo. Tumbling over each other verbally and physically, this duo superbly constructs a tiny little nightmare relationship that is compelling to observe. The script has the messy, unfocused and often wildly contradictory nature of heated conversations between two strung-out partners. And Derry keeps the pace tight and relentless.
Sure, the pot smoking and alcohol are convenient crutches, and Falco takes too many hits on that particular playwriting bong. But that can almost be forgiven in the context of two flawed people who are as co-dependently addicted to each other as they are to hash and hootch.
One irritating fly in this bubbling stew of betrayal and resentment is the device of
having the off-stage demon in the mix being a weird transgender person. Yeah,
we get it, trannies are different. But
to make Cassie the highly-sexualized fulcrum of this tale, immediately
justifying with most audience members Jan’s shock and revulsion, is just a tad
too easy for a writer of Falco’s skill.
Other
than that, this is a rip-snorting piece that rivals the intensity (if not the byzantine complexity) of Albee’s
George and Martha, and other renowned on-stage wedded disasters.
Possum
Dreams
Through
June 28 at None Too Fragile Theater, 1835 Merriman Road, Akron (enter through
Bricco Pub), 330-671-4563
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