This
is a show about a vinyl record store, the freaks who shop there, and the
equally obsessed owner Rob. There are also “Top Five” lists galore, so let’s
start with the,,,
Top Five Things I Like About High Fidelity, now at Blank Canvas.
One,
it’s a musical adaptation of the Nick Hornby novel and the Stephen Frears film,
both hilarious, and a lot of that humor is evident in this production.
Two,
Shane Patrick O’Neill sings well as the record store owner Rob, even though
O’Neill could make his supposedly dweeby character a bit more dorky. And his
hot-and-cold romance with Laura is funny, especially when it’s cold.
Three,
Patrick Ciamacco is nicely acidic as the music snob Berry, the Jack White role
in the film, and as always his direction of the production is brisk and effective.
Four,
the varied rock songs by Amanda Green and Tom Kitt hold up well. And thanks to
Kate Leigh Michalski who plays Liz and Leslie Andrews as Laura, the tunes are
mostly a treat.
Five,
Rob’s Top Five exes show up in person and repeatedly, to detail his faults. In
short, one of any guy’s Top Five Nightmares.
On
the other hand, here are…
A
Couple Things I Don’t Like About High
Fidelity…
One,
the gaggle of record nerds starts out pleasantly weird, but by the end they all
get pressed and washed and a couple fall in love. Including the defiantly dorky
Dick (Pat Miller) who falls for a female fan of John Tesh! Even the Most
Pathetic Man in the World ends up rockin’ out in a band.
Two,
on stage, the funeral of Laura’s dad in Act Two feels pasted on and not
convincing, a plea for emotional heft that isn’t deserved.
But
overall the show works. Plus, the audience can go on stage and buy some vinyl
records off the set for $1.00 each. I love me some vinyl, and I came away with
eight new (old) LPs. So High Fidelity immediately
soars to the Number One position on
my list of Top Five Plays That Allow Me to Shop On Stage During Intermission.
High
Fidelity
Through
December 20 at Blank Canvas Theatre, 78th Street Studio, W. 78th
Street, 440-941-0458.
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