Playwright
and screenwriter Neil LaBute is fond of throwing hot, often untouchable
cultural issues onto his theatrical table and then watching his audiences
squirm. For instance, the brutal misogyny at the heart of his film In the Company of Men can be absolutely
breathtaking.
In
his play In a Forest, Dark and Deep,
now at the None Too Fragile Theater in Akron, LaBute trots out some more
misogyny for audience to chew over. And by throwing in some not-so-subtle
feints at incest and disquisitions on Truth, there are clearly many bases he
wants to touch in this piece.
This
two-hander puts us in a remote cabin where Betty has asked her brother Bobby
over to help her move out some of the possessions of her former boyfriend.
Betty is separated from her husband and living apart from him and their two
kids while she works at a liberal arts college as a dean. Bobby is decidedly
blue collar and has little patience with Betty’s uppity vocabulary and the
boyfriend who apparently reads The New
Yorker.
Soon,
the brother-sister bickering starts, and we learn that Betty has been free with
her sexual favors for many years, even back into high school when she was
caught giving a hummer to one of her teachers. Bobby is righteously offended by
this, even though he’s not exactly a morally upright citizen himself. As Betty
spins her lies and Bobby slowly unwinds them, we see how truth can take many
forms and how family relationships can be torturously fraught.
Trouble
is, LaBute is so enamored of his own writing he over-embellishes many scenes,
leading to a one-act running time of nearly two hours. More importantly, he
never makes it clear what either of these characters has at stake. When the plotting
reveals become ever more serious, as the conclusion approaches, we see the
electric conflict between these two. But it feels like static electricity, due
to the absence of a back-story that could fill in some details about their
lives. Lacking that, it seems like she’s a slut, he’s a jerk, and that’s that.
So when they eventually bond, it seems a trifle convenient and just a bit
forced.
That
said, the performances of Sean Derry as Bobby and Leighann Niles Delorenzo as
Betty are powerful. They smoothly interweave and overlap their conversations,
as siblings would, while building a sense of dread along the way. Director
Andrew Narten has a good sense of the pulse of this relationship, even though
some of the beats could be turned more crisply.
Even
though In a Forest isn’t one of
LaBute’s best, it deals with actual issues and isn’t just another collection of
dysfunctional people who show up in the same place. And for that we can be truly
grateful.
In
a Forest, Dark and Deep
Through
September 19 at None Too Fragile Theater, 1835 Merriman Road, Akron(enter
through Pub Bricco), nonetoofragile.com.
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